(2005-Current)


I have been collecting 45 rpm vinyl records for many years, the criteria for my collection is that each individual record is culturally specific to Wales.

This is an archive of kitsch imagery and popular song, democratic and inclusive of all musical styles.  

These packaged artifacts are cultural relics, archaeological markers of cultural history. Iorwerth Peate founder of St Fagans would approve of their redefined status as vernacular folk art. They are preserved time capsules, unselfconscious folk art that reveal an era of yearning to express cultural identity and to celebrate Welshness. Nostalgia, the naïve, innocence, the idiosyncratic, passion and celebration of amateur values are all here. The records are full of living history with personal and group biography, stories, dreams, hopes and anxieties. They become triggers for memory and emotion.

This grouping becomes an historical archive delineating a cultural period between Jac a Will (circa 1958) until the late 70’s. The musical themes and lyrics express the cultural values of the nation. A cultural shift takes place from conformist values; the nostalgic and sentimental - celebration of nation, land, family, community and bible, to a bold and confident political, individualistic, self expressive and psychedelic themes as sung by Huw Jones, Dafydd Iwan, Heather Jones, Tebot Piws and Meic Stevens. Music in Wales as evidenced here is expansive in style, form and expression. It is a plural and multicultural activity with Paul Robeson, Iris Williams and Shirley Bassey contributing to the Welsh musical tradition. This defines modernism in a specific cultural and marginal context. Telepops Y Cymro is about Wales becoming modern and expressive. Here are the vinyl bones of a nation singing for its survival and with open voice singing itself into existence and self-awareness.

> Film The Groove, DJ Night at Oriel Myrddin Gallery, Carmarthen, 2011

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